In Mind by Real Estate April 9, 2017 Reviewed by Rolf Anderson Rating: 7.5/10 I swear Real Estate knew exactly (down to the day) when this album would seem most fitting to…
Human Voicing by The Luyas April 9, 2017 Reviewed by Rolf Anderson Rating: 5.5/10 I didn’t know what I was expecting. Despite The Luyas’ having found a start in Montreal over 10…
Process by Sampha April 8, 2017 Reviewed by Michael McKinney Rating: 7/10 When the musical world first heard about Sampha, it wasn’t like this. His first release, 2010’s Sundanza EP,…
Terrible Human Beings by The Orwells April 8, 2017 Reviewed by Cory Stark Rating: 5/10 Terrible Human Beings is The Orwells’ third studio album, and unfortunately, I don’t have a lot to say…
Good Luck and Do Your Best by Gold Panda April 7, 2017 Reviewed by: Michael McKinney Rating: 7/10 In many ways, Gold Panda’s first release in three years feels like a scrapbook. It’s right there in…
Shadowbox by Beats Antique April 7, 2017 Reviewed by Michael McKinney Rating: 4.5/10 Shadowbox doesn’t have a consistent sound, really. Beats Antique get described as “ethnotronica” or “world” (both meaninglessly broad…
Running Out of Love by The Radio Dept. April 6, 2017 Reviewed by Rolf Anderson Rating: 4.5/10 I’m just finishing up my review for the new Jagwar Ma album, and I decided to pick this…
Every Now & Then by Jagwar Ma March 2, 2017 Reviewed by Rolf Anderson Rating: 7.5/10 One must have a foundation of bad music in order to identify the good. It’s all reason, and…
Observatory Mansions by Nicole Dollanganger March 2, 2017 Reviewed by Michael McKinney Rating: 5.5/10 The first thing that stands out on Observatory Mansions is Nicole Dollanganger’s voice. It’s not childlike, exactly; it’s…
After the Party by The Mezingers February 24, 2017 Review by Cory Stark Rating: 8/10 Last year, I called Joyce Manor’s album Cody “chicken soup for the punk-rocker’s soul.” I forgave myself for…